Accordi e testo completo di "You Can Call Me Al" di Paul Simon per chitarra. Tonalità: FA. Accordi principali: FA, DO, SIb, SOLm7, DO7. Spartito con accordi sopra il testo, trasponibile su Strimpello.

Tonalità

FA

Accordi

FA, DO, SIb, SOLm7, DO7

Domande frequenti

Quali sono gli accordi di You Can Call Me Al di Paul Simon?
Gli accordi usati in "You Can Call Me Al" di Paul Simon sono: FA, DO, SIb, SOLm7, DO7. Tonalità: FA.
In che tonalità è You Can Call Me Al?
"You Can Call Me Al" di Paul Simon è in tonalità FA.
Dove trovo il testo e gli accordi di You Can Call Me Al?
Testo e accordi completi di "You Can Call Me Al" sono su Strimpello: https://strimpello.com/song/you-can-call-me-al.
Chi canta You Can Call Me Al?
"You Can Call Me Al" è interpretata da Paul Simon.

Spartito completo

You Can Call Me Al
Paul Simon
Key: FA
Intro (ripete):

FA DO SIb    FA DO FA

FA    
 A man walks down the street

   SOLm7            DO7        
He says, "Why am I soft in the middle, now?

FA
 Why am I soft in the middle?

   SOLm7       DO7         FA
The rest of my life is so hard

I need a photo-opportunity

SOLm7       DO7
 I want a shot at redemption

FA  
Don't want to end up a cartoon

   SOLm7     DO7
In a cartoon graveyard"

FA      
Bonedigger, Bonedigger

SOLm7        DO7
 Dogs in the moonlight

FA              SOLm7        DO7
 Far away in my well-lit door

    FA
Mr. Beerbelly, Beerbelly

    SOLm7        DO7
Get these mutts away from me

        FA                         SOLm7     DO7
You know, I don't find this stuff amusing anymore

FA              DO       SIb
If you'll be my bodyguard

      FA      DO   FA       DO SIb   FA DO FA 
I can be your long lost pal

               DO   
I can call you Betty

SIb             FA  DO                  
And Betty, when you call me, 

        FA        DO SIb   FA DO FA
you can call me Al

FA
 A man walks down the street

   SOLm7           DO7 
He says, "Why am I short of attention?

     FA
Got a short little span of attention

    SOLm7     DO7            FA
And, whoa, my nights are so long

Where's my wife and family?

SOLm7      DO7      FA
 What if I die here?

                      SOLm7
Who'll be my role model

            DO7           FA
Now that my role model is gone, gone?"

   SOLm7                DO7
He ducked back down the alley

         FA                 SOLm7      DO7
With some roly-poly little bat-faced girl

     FA
All along, along

           SOLm7         DO7
There were incidents and accidents

          FA                    SOLm7  DO7
There were hints and allegations

FA              DO       SIb
If you'll be my bodyguard

      FA      DO   FA       DO SIb   FA DO FA 
I can be your long lost pal

               DO   
I can call you Betty

SIb             FA  DO           FA       DO SIb        
And Betty, when you call me, you can call me Al 

DO              FA    SOLm7 DO7 FA     SOLm7 DO7
you can call me Al

FA    SOLm7 DO7 FA     SOLm7 DO7

FA    SOLm7 DO7 FA     SOLm7 DO7

FA    SOLm7 DO7 FA     SOLm7 DO7 FA

FA DO SIb   FA DO FA   

FA DO SIb   FA DO FA

FA DO SIb   FA DO FA

FA DO SIb   FA DO FA

FA
 A man walks down the street

SOLm7              DO7
It's a street in a strange world

FA 
 Maybe it's the third world

SOLm7           DO7           FA
 Maybe it's his first time around

Doesn't speak the language

  SOLm7     DO7
He holds no currency

FA
 He is a foreign man

SOLm7    DO7             FA              
 He is surrounded by the sound, the sound

SOLm7          DO7
 Cattle in the marketplace

FA                       SOLm7  DO7
 Scatterings and orphanages

          FA
He looks around, around

        SOLm7         DO7
He sees angels in the architecture

FA
 Spinning in infinity

          SOLm7   DO7
He says, "Amen and Hallelujah!"

FA              DO       SIb
If you'll be my bodyguard

      FA      DO   FA       DO SIb   FA DO FA 
I can be your long lost pal

               DO   
I can call you Betty

SIb             FA  DO           FA       DO SIb        
And Betty, when you call me, you can call me Al 

DO              FA    
you can call me 

            SOLm7 DO7 FA     SOLm7 DO7
Na na na na...

FA     SOLm7 DO7 FA     SOLm7 DO7

FA     SOLm7 DO7 FA     SOLm7 DO7

FA     SOLm7 DO7 FA     SOLm7 DO7 FA

FA DO SIb   FA DO FA   

FA DO SIb   FA DO FA

FA DO SIb   FA DO FA

FA DO SIb   FA DO FA

FA              DO      SIb   FA DO FA
If you'll be my bodyguard

FA DO SIb   FA DO FA

               DO   SIb   FA DO FA
I can call you Betty

FA DO SIb   FA DO FA

FA              DO      SIb   FA DO FA
If you'll be my bodyguard

FA DO SIb   FA DO FA

               DO   SIb   FA DO FA
I can call you Betty...

FA DO SIb   FA DO FA

You Can Call Me Al

Paul Simon · Key FA

Intro (ripete):
A man walks down the street
He says, "Why am I soft in the middle, now?
Why am I soft in the middle?
The rest of my life is so hard
I need a photo-opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard"
Bonedigger, Bonedigger
Dogs in the moonlight
Far away in my well-lit door
Mr. Beerbelly, Beerbelly
Get these mutts away from me
You know, I don't find this stuff amusing anymore
If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty, when you call me,
you can call me Al
A man walks down the street
He says, "Why am I short of attention?
Got a short little span of attention
And, whoa, my nights are so long
Where's my wife and family?
What if I die here?
Who'll be my role model
Now that my role model is gone, gone?"
He ducked back down the alley
With some roly-poly little bat-faced girl
All along, along
There were incidents and accidents
There were hints and allegations
If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty, when you call me, you can call me Al
you can call me Al
A man walks down the street
It's a street in a strange world
Maybe it's the third world
Maybe it's his first time around
Doesn't speak the language
He holds no currency
He is a foreign man
He is surrounded by the sound, the sound
Cattle in the marketplace
Scatterings and orphanages
He looks around, around
He sees angels in the architecture
Spinning in infinity
He says, "Amen and Hallelujah!"
If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty, when you call me, you can call me Al
you can call me
Na na na na...
If you'll be my bodyguard
I can call you Betty
If you'll be my bodyguard
I can call you Betty...

Spartito importato da fonte pubblica · originale ·

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