Accordi e testo completo di "I Write Sins Not Tragedies" di Panic! At The Disco per chitarra. Tonalità: DO. Accordi principali: LAm, RE/FA#, FA, REm, SOL, FA7+, REm7, SIm7/5-, REm9, REm6, DO7+. Spartito con accordi sopra il testo, trasponibile su Strimpello.

Tonalità

DO

Accordi

LAm, RE/FA#, FA, REm, SOL, FA7+, REm7, SIm7/5-, REm9, REm6, DO7+

Domande frequenti

Quali sono gli accordi di I Write Sins Not Tragedies di Panic! At The Disco?
Gli accordi usati in "I Write Sins Not Tragedies" di Panic! At The Disco sono: LAm, RE/FA#, FA, REm, SOL, FA7+, REm7, SIm7/5-, REm9, REm6, DO7+. Tonalità: DO.
In che tonalità è I Write Sins Not Tragedies?
"I Write Sins Not Tragedies" di Panic! At The Disco è in tonalità DO.
Dove trovo il testo e gli accordi di I Write Sins Not Tragedies?
Testo e accordi completi di "I Write Sins Not Tragedies" sono su Strimpello: https://strimpello.com/song/i-write-sins-not-tragedies.
Chi canta I Write Sins Not Tragedies?
"I Write Sins Not Tragedies" è interpretata da Panic! At The Disco.

Spartito completo

I Write Sins Not Tragedies
Panic! At The Disco
Key: DO
Intro:

LAm    RE/FA#  FA

LAm
Oh, well, imagine,

As I'm pacing the pews in a church corridor,

      RE/FA#
And I can't help but to hear

                        FA
No, I can't help but to hear an exchanging of words,

LAm
"What a beautiful wedding! What a beautiful wedding,"

says a bridesmaid to the waiter,

      RE/FA#
"And, yes, but what a shame, 

                      FA
what a shame the poor groom's bride is a whore"

LAm
I chime in with a

 FA                      REm             SOL  LAm
"Haven't you people ever heard of closing a goddamn door?!"

              FA                   REm
No, it's much better to face these kinds of things

                               SOL
With a sense of poise and rationality

LAm         FA
I chime in,

                         REm                    SOL LAm
"Haven't you people ever heard of closing a goddamn door?!"

              FA                   REm     
No, it's much better to face these kinds of things

       SOL       LAm
With a sense of...

Oh, well, in fact,

Well, I'll look at it this way,

                                   RE/FA#
I mean technically our marriage is saved,

                       FA
Well, this calls for a toast

So, pour the champagne

LAm
Oh, well, in fact,

Well, I'll look at it this way,

                                   RE/FA#
I mean technically our marriage is saved,

Well, this calls for a toast,

    FA                                      REm
So, pour the champagne, pour the champagne!

FA7+    REm

LAm
I chime in with a

 FA                      REm             SOL  LAm
"Haven't you people ever heard of closing a goddamn door?!"

              FA                   REm
No, it's much better to face these kinds of things

                               SOL
With a sense of poise and rationality

LAm         FA
I chime in,

                         REm                    SOL LAm
"Haven't you people ever heard of closing a goddamn door?!"

              FA                   REm     
No, it's much better to face these kinds of things

       SOL       
With a sense of...

FA7+     REm7 SIm7/5-     FA7+  SOL REm9 
of poise and  rationality again

 FA7+  REm6 DO7+  FA7+  
Again... 

LAm
I chime in with a

 FA                      REm                   SOL  LAm
"Haven't you people ever heard of closing a goddamn door?!"

              FA                   REm
No, it's much better to face these kinds of things

With a sense of poise and rationality

LAm         FA
I chime in,

                         REm                    SOL LAm
"Haven't you people ever heard of closing a goddamn door?!"

              FA                   REm     
No, it's much better to face these kinds of things

With a sense of...

FA7+     REm7 SIm7/5-     FA7+  SOL REm9 
of poise and  rationality again

 FA7+  REm6 DO7+  FA7+  SOL REm9  FA7+  
Again ...

I Write Sins Not Tragedies

Panic! At The Disco · Key DO

Intro:
Oh, well, imagine,
As I'm pacing the pews in a church corridor,
And I can't help but to hear
No, I can't help but to hear an exchanging of words,
"What a beautiful wedding! What a beautiful wedding,"
says a bridesmaid to the waiter,
"And, yes, but what a shame,
what a shame the poor groom's bride is a whore"
I chime in with a
"Haven't you people ever heard of closing a goddamn door?!"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in,
"Haven't you people ever heard of closing a goddamn door?!"
No, it's much better to face these kinds of things
With a sense of...
Oh, well, in fact,
Well, I'll look at it this way,
I mean technically our marriage is saved,
Well, this calls for a toast
So, pour the champagne
Oh, well, in fact,
Well, I'll look at it this way,
I mean technically our marriage is saved,
Well, this calls for a toast,
So, pour the champagne, pour the champagne!
I chime in with a
"Haven't you people ever heard of closing a goddamn door?!"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in,
"Haven't you people ever heard of closing a goddamn door?!"
No, it's much better to face these kinds of things
With a sense of...
of poise and rationality again
Again...
I chime in with a
"Haven't you people ever heard of closing a goddamn door?!"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in,
"Haven't you people ever heard of closing a goddamn door?!"
No, it's much better to face these kinds of things
With a sense of...
of poise and rationality again
Again ...

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